Alice Workman has over 25 years’ experience across public institutions and commercial galleries.
She brings a deep curatorial background, extensive knowledge of artists, and a nuanced understanding of the art world.
Offering artists strategic guidance, mentoring, exhibition and project support.
Collaborating with individuals to shape both established and new cultural initiatives, drawing on long-standing experience in exhibition-making, institutional development, and partnership building.
Advising and research for collectors on acquisitions and sales.
From 2022 to 2025, Alice co-founded Bo Lee and Workman, a gallery dedicated to supporting emerging and mid-career artists. From 2011 to 2021, she served as Senior Director, Cultural Centres Europe at Hauser & Wirth, where her experience and vision were instrumental in the development of Hauser & Wirth Somerset, Hauser & Wirth Menorca and the museum Chillida Leku. Earlier in her career, she led the exhibition programme at Southampton City Art Gallery and was a Director of the New Art Centre, Roche Court.
Throughout her career, Alice has organised over 250 exhibitions, collaborating closely with artists and estates such as Phyllida Barlow, Howard Hodgkin, Richard Long, Edmund de Waal, Jenny Holzer, the Estate of Barbara Hepworth, the Alexander Calder Foundation and the Henry Moore Foundation.
Alice has also developed education and residency programmes, contributed to publications, delivered talks and lectures, and served as a Trustee of Spike Island and a Governor of Bath Spa University. She is on the Advisory Panel for Collect 2027 and part of the Programming Committee for the American Museum & Gardens in Bath.
Kathryn Maple was artist in residence from 5 – 13 June 2026, as part of the third annual Mount Street Neighbourhood Summer Festival.
Drawing inspiration from the adjacent Mount Street Gardens, Kathryn Maple worked on an evolving collage and observational drawings that responded to the life, light and landscape of this historic Mayfair setting. Throughout the residency, Maple opened her studio practice to the public, where visitors could see her working in real time, offering the audience a window into her process.